Blog

This blog traces my influences, studio practice, learning, and teaching of art.

"Why I Paint Flowers"


Because the symetry of flowers is a direct expression of the golden mean, 1.618 is a unit of division and multiplication throughout natural creation. Who said, "I don't paint nature, I am nature"? Some artists naturally create compositions close to the golden mean / section. One can easily do it precisely with a calculator and a metric ruler. Art can have a healing quality for the viewer.

"Consider The Lillies"

Worried about the price of new clothes? Credit card debt? House appraised for more than it's worth? I consider the lillies of the valley that are growing along the front of the house and are spreading around to the back yard for free. This piece was shipped back and forth across the country to three different galleries untill it sold to the right collector on Cape Cod.

"Daylily"


When I moved to Twin Lakes, my friend Julie invited me to a daylily farm where the proprietor allowed us to dig up as many plants as we wanted. They are planted along the fence. Call me "Mr. Monet". My approach is definitely botanically correct, sorry Claude. There is something winsome and sad about a blossom that lasts just one day.

"Delay Is The Antidote For Anger"

That's what the fortune cookie says. In NYC (1980's) I lived around the corner from a fortune cookie factory/sweat shop on Center St. Hot fans blew the sweet smoke out of the open doors. The machines clattered. Workers, probably indentured slaves, silently placed paper fortunes on disks of hot cookie dough before they were mechanically folded. I wonder how they dealt with that anger.

"Horse Woman"


Have you ever felt like you were jumping through hoops? When I first moved to NYC I felt like it. There was a circus atmosphere in the streets. I rented a telephoto lense and went to the circus at Madison Square Garden. "The figure in geometry" was my focus.

How Are They Constructed ?

I am often asked this question and am glad to teach. We are here for a short while, lets share our "trade secrets". The elements are, Wood supports cut out of a single sheet of birch plywood or composite. Plastic lip. Finest Belgian linen, unprimed. Rabbit skin glue. (Those poor bunnies). White oil primer. This ground of linen and rabbit skin glue is known to last for centuries.

"Willowy Twilight I"

How it is painted varies. The Berkshire landscape was painted from a plein air study in the studio. Sunsets are the perfect solution to the dilemma of "What do you do with all that green?" Notice the derriere distant hills.

"Willowy Twilight II"

It's not done till it looks right. The addition of the loutrophoros vase creates a completely different painting. This was a wedding vase shape for holding water for the ceremonial bathing of the bride. The loutrophoros was also used to bathe the unmarried dead and was placed in their tomb.

"Violin Romance"


Jennifer DeForest taught violin at Belvoir Terrace where I was teaching painting in 1994. I painted this portrait of her. Years later after playing for the Salt Lake City Orchestra, she married and had 2 children. Somehow her husband tracked me down. I made a digital print on canvas and added 2 children sitting on the rim of the vase. This original version is available as a canvas print.

Tondo in Italian means round. This was painted while sitting on an old pier at Euclid Beach. It was purchased by University Hospitals in Cleveland. Trudy Weisenberger, the art consultant from U.H. thought the painted gold leaf border was an actual carved, gilded, wood frame. Fooled Ya!